Spray Tan Holiday Slogans

NEW WAVE Dole Hiraki Sawa

DOLE until September 19

Museum of Fine Arts Dole
85 rue des Arenes
Free admission every day except Sunday and Monday morning from 10am to 12pm
and 14h-18h, 20h open Wednesdays until March 1984
79 25 85
http://www.musees-franchecomte.com/

Margaret Bobey - Guinot-Charlotte Bacot - Thomas Henriot - Rodolphe Huguet - Gerald Mainier - Hugo Boss SCHUWER- - Maxime Vernier


In spring, the Museum presented the exhibition Dole Contemporary Art to all floors exhibition that showed 30 years to acquire contemporary art, which included a focus on an acquisition policy-oriented young artists. This summer, with exposure Nouvelle Vague, the museum takes this idea by presenting the work of seven young artists Franche-Comte.

performance with Margaret Bobey, painting and Gerald Mainier Hugo Boss SCHUWER-, sculpture Rodophe Huguet and Maxime Vernier, drawing by Thomas Henriot, video, among others, at Charlotte-Bacot Guinot ... .. Works

different, unique, promising, in general.
In particular, we note, Cyma , Rodolphe Huguet, brambles as a metal chair rails, empty. The work blends into the white wall. Closer, the bramble defensive mid, mid-attack, calls for an instinctive distrust of bilateral pain. It is not easy to showing art. How to share his art with the public, engage in criticism? At the same time, museums are defending themselves and question their side, their choice of clashes. Thorny issue.
Not easy being a young artist. There on the wall next to the video I do not know what to do Guinot- Charlotte Bacot, illustrating the issues that interest young artists, their art project, their involvement in art and their future, there is a small image, protected by a broad framework that looks good for her, Iris * Watercolor precious tears, is a concentrate of sense and poetry ...

See also the Museum of Dole Scenes of the Passion of Christ , a remarkable work in the Museum since 1828, has recently the subject of a major restoration work. The composition of the wood panel, originally attributed to the school of Leyden, is based on a drawing by Dürer dating from 1505. The work was restored by Frederick Orvas, conservator of paintings at Regional Centre for restoration and conservation of works of art Vesoul (CRRCOA). Until October 3.

Frédérique Foulla

Above: Gerald Mainier, untitled (cascade Tuffs), 2006 * Charlotte
Guinot-Bacot, Iris, 2006