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ASK THE PROGRAM! Exposure to Bourogne

BOUROGNE until April 24

Espace Gantner
1 rue de la Varen - bourogne (90)
Admission free Tuesday to Saturday from 14h to 18h
03 84 23 59 72
http://www.cg90.fr/



Bourogne Territoire de Belfort. The multimedia exhibition presents Gantner the program! Art and Computer. Somewhat surprising theme for a multimedia space: what is hiding there behind the creation of computer art?

tool of daily life, the computer remains mysterious to ordinary users. Construction images, interaction, the magic of programming ... forms, signs, images emerge without one really understands why and how. The question arises of the process, the artist plays, uses the program as a script for his work.

Rafael Lozano-Hemmer, Vectorial with the work Elevation transforms urban space by programming the movements of light beams to create what he calls a "relational architecture", producing a monumental work. Antoine Schmitt, meanwhile, sees minimal forms, abstract and effective move randomly, but under certain constraints, with the major concern will illustrate the condition of being free.

The different applications of the computer, the artists have taken advantage of new capabilities and possibilities of the tool. Pioneer of the genre as Vera Molnar, to more recent work as the project STARFLAG , Space Gantner propose, with this exhibition, an original, informative and entertaining, showing affinities and projects linking art and new technologies.

Frédérique Foulla

Top: Antoine Schmitt With Determination , 2000

Salon And Waxing Beauty Games

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Twelve wines, all good to hit the ground, you will be offered to Fridays Cellar Friday, March 26. Among other wonders, we will taste the Foillard of Morgon, the field of Bouysse, the Mas de la Seranne, Côtes du Drill Jacky Logel. All these wines are aged naturally and as stated Patrice Lescarret Causses Marines Gaillac: "You can make bio without the long hair and smoking the carpet, we can make wines that nature does not feel the pet cow."

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SOUND MACHINE - F. THE JUNTA in Montbéliard Montbéliard ORNAMENTS

MONTBELIARD up April 2

The Allan, nationally Montbéliard
Sponeck Hall (Downtown, near City Hall)
Admission free Tuesday to Friday 10am-12pm
/ 14h-18h and Saturday morning
http://www.lallan.fr/
freephone 0805710700


A little soft music is suggested on the floor of the Hotel de Sponeck. An bells tinkling, overtaking its worst looks like the tolling of the clock of my grandmother. The machines are there in semi-darkness. Neon lights, desk lamps or bedside light accentuates their shape controlled chaotic and rickety, marking a close, an intimacy with materials recovery used for design.

"Press 5 seconds switch" it was written. And then everything comes alive. A stick stirs in snail shells, two pieces of wood banging an old bicycle bell, a nail hitting a screw bolt and the experimental machines s'actionnent precarious mechanisms for a concert of rhythms strange and incongruous destabilizing. A twig
trimbalée around a turntable rattling, then picking up speed, just randomly typing the stretched skin of a drum, the thin strings of a harp, a metal spring ... In another room, a new ride gets under way in a dance shadows and lights projected on the wall, a series of pieces of wood cons get damaged earthen pots causing a gamelan music curiously reminiscent of Indonesia. Further, three large rods giggle, a small xylophone agitated, mechanisms and machinery LEAD blowers rustling winded in flutes or tubas ...

Since 1995, Fred Junter designs these sound sculptures based on the notion of randomness. "Everything is done with a technology not advanced enough so rough and uncertain. I left things to chance." Thus he speaks of his works. In the exhibition, there is movement, and yet noise a certain calm. Serenity reigns in this temple, kingdom of useless machines and automated orchestras terribly poetic.

Frédérique Foulla

http://flejunter.free.fr/

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Exhibition Exhibition

MONTBELIARD until April 7

On 19 - Avenue of the Allies - 03 81 94 43 58
Admission free Tuesday to Saturday from 14h to 18h
and Sunday from 15h to 18h
http://www.le-dix -neuf.asso.fr /



The wall was white when Lepetit Marie began taking measurements. A blank surface in the small back room, which for nearly a week has seen busying rulers, squares, compasses and a few hands to see the emergence of these constellations of empty two-tone dots. A methodical route on which the artist points each intersection. On arrival, a space constructed graph that consists of points, however, the birth of a universe which, however ephemeral indicates something of the time, the starting point of a structure that could be infinite.

The exhibition brings together three Ornaments artists whose work focuses on the transformation of the surface by the creation of patterns, combinations of shapes, materials and colors. According to mathematical and geometrical methods, using repetition, they create optical effects that recall in particular the experiments of avant-garde abstract early 20th century in the decorative arts.
So Eleftherios Amilitos works from geometric shapes, depending on the material used (stickers brilliant Onduline * matte, metal, plastic), come alive in the light. Transparency, reflection, opacity, the eye adapts a time and then reassess the spirals or dodecahedra that seem to float in the air.
Alain Lambilliotte , in turn, expands the scope of painting the entire space of the art center. Cuts corrugated timber which adorns the walls at regular intervals, from floor to ceiling, rattle space. The combination of their white faces and their fluorescent bands are uncanny, creating a kind of artificial light, unusual terrain.

Moving in the exhibition is located at each "ride" another effect, another collection of works. Depending on the angle of view, the space is transformed, time and location operate gentle variations that accompany the visitor through these ornaments.

Frédérique Foulla

* building material and insulation

Above: Alain Lambilliotte, Untitled, 2009 (detail)
Bottom: for exhibition

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CONTEMPORARY ART AT ALL STAGES Dole

DOLE until May 16

Museum of Fine Arts Dole
85 rue des Arenes
Free admission every day except Sunday and Monday morning
10am to 12pm and from 14h to 18h, 20h open Wednesdays until March 1984
79 25 85
http://www . franchecomte.com-museums /


30 years to acquire contemporary art. This is a good opportunity for the Museum of Fine Arts Dole take stock of its contemporary art collection has grown considerably in recent years. The collection includes mostly works made after the 60s, with artists including Figuration Narrative, New Realism and objectors.

the three floors of the museum, works of contemporary art are invited in the collections of older art. The course, original and unpublished, offers visitors a journey more thematic than chronological. Four themes were identified as showing the main concerns of the artists.

object, the everyday vanities is the first theme. It focuses on a recurring theme in the art of the post-60. Accumulated by Arman, frozen in the tables Spoerri-traps, or "dressed" in Dietman, purpose, appropriated by the artists, questions about its function, while denouncing the consumer society. Peter Klasen depicts the banality of modern Stämpfli Kermarrec chooses the car and talks about the precarious existence. In the second theme, People, life, portrait , instead of the individual in society is questioned. Fromanger undifferentiated body painted in an urban environment hostile Rancillac jazzmen portrays blacks as a political statement and Monory use of cinematic codes to confuse our own codes of narration. Theme 3, The world, politics, history : symbolic allusions to works of Arroyo satirical and critical of Erro, the changing sociopolitical context in which these artists is scrutinized. Hains, Villeglé, the cooperative Malassis, claims and accusations, works seen a story not so long ago. The final theme, Elsewhere, the imaginary, the unconscious , develops themes dear to many artists but who take over these years, a special twist. Probe the human condition, either by introspection or psychoanalysis, is a matter that enters the home. The work of artists like Boltanski with the theme of childhood, or that of Kudo and Telemachus, leading to a form of autobiography, free interpretation and able to question the collective memory.

When young performers include the collection of contemporary French (and Loïc Didier Marcel Raguenes example), this exhibition helps identify directions and possible developments of the museum's acquisition policy Dole.

Frédérique Foulla

Up, Gerard Fromanger, The red circle , 1971
Downstairs, 1 plan, Charlemagne Palestine, Can we raise a monument to the pain? , 1991 at
background, Herve Telemaque NY Toussaint Louverture, 1960


addition, the museum has put in place a comprehensive program of entertainment not to be missed throughout the exhibition:

17 March at 18.30 in the original route of exposure, the Company's theatrical animation Pirates led by director and actor Jean-François Le Garrec.

From April 3 to 19 during the Easter holidays: Exhibition of art work of children in the museum's educational workshop.

April 21 at 18:30: Walk through the exhibition, with trade Artist Henri Cueco.

May 5 at 18:30: Walk through the exhibition, exchange with the artist Peter Stampfli.

May 15 from 20h: As part of the Night
- Concert with music classes CHAM college Arc under the
conservatory (instrumental improvisations, sound effects, songs)
- Readings by 2 actors 5 works in conjunction with the exhibition, including Chantal
Mairet director and actress.
- Golf in the original show, the animation company headed by Pirate
director and actor Jean-François Le Garrec

tours on the following Sundays at 15h: 21 March 11 April 25 April 9 May

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Portrait Artist: JEAN-PIERRE SERGEANT

ARTIST

Jean-Pierre Sergent, Franche-Comte home, spent twelve years in New York. That brand. The painter uses the best tools to practice his art, namely, computer, graphics tablet, screen, Plexiglas ...
pop influences? Yes, of course. Rauschenberg, Warhol, Lichtenstein but beware, these similarities are merely formal and techniques. Because if the pop art is the reflection of the consumer society, painting by Jean-Pierre Sergent does not represent specific claims, just energy.

Energy, JP Sergent draws from the iconography of the world's great civilizations (Egyptian sarcophagi, geometry Navaro, Maya vase, Aztec skull), but also in more contemporary art forms such as urban graffiti, or other arts "exotic" (Japanese prints, Tibetan mandalas, Indian miniatures ...) as many patterns, patterns that feed her work.

The artist is interested in rock art, persistence and overlapping patterns throughout the ages. Long, his inspiration was driven in the arts of pre-Columbian civilizations of Central America, including the Mayan Diary series, begun in 2000. More recently, his work focuses on the Japanese manga and yantras * Hindus.
With silkscreen technique as a means of repetition and layering, the artist seeks to achieve a state of trance, to vibrate energy. An energy capable of confronting the order and chaos. The frequent representation of sexuality in his work evokes the ritual of sex as a vital energy research, regeneration, "a creation of the world." The representation of sexual attributes, male or female, returns to the ancestral gods, pray for fertility, the renewal of life, the proper course of things ...

paintings of Jean-Pierre Sergent waves are like stained-sensitive and magnetic energy systems, flashes shamanic icons timeless, magical and transcendental.

Frédérique Foulla

Sergeant Jean Pierre presents his works from April 28 to June 26 at the gallery "My Wolf" at 10 rue Pasteur in Besançon.
* Yantra: Hindu geometrical figure traced to tame the mind and master the cosmic forces.


Top, Mayan Diary, 2008
Bottom Bondage and Freedom No. 3, 2003

http://www.j-psergent.com/

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Exhibition extraordinary journey Altkirch

ALTKIRCH until May 16

Christoph Keller / Simon FAITHFULL

CRAC Alsace, Rhineland Art Center Contemporary
18 rue du Chateau - Altkirch (68)
March 1989 59 August 1982 http://www.cracalsace.com/
Admission free Tuesday to Friday from 10am to 18h
On weekends from 14:30 to 19h


Visit an exhibition is always an extraordinary trip. What will we discover? In what state she will plunge us? With new eyes, to be surprised by the images and sounds, change its mind, agreeing to learn ... At CARC

Altkirch, two artists, Christoph Keller and Simon Faithfull we propose to follow them in their travels through the ordinary and the extraordinary.

Returning to his account the world of science, Christoph Keller continued experiments that have other goals than their implementation. At Crac, it presents one of the most recent reactivations Cloudbuster machine, invented by Wilhelm Reich in the 50s, which would have the ability to change the climate. After extensive studies of archives and several attempts, he exhibits a film, text, pictures and an artist's book as research results. Poetic and offbeat, this experiment was conducted with the seriousness required discipline, said reports questions and sometimes even obscure between science and art, or between science and belief. The rain eventually by fall, but with whom? The Cloudbuster , the song of the rain sung by children or the aura of the artist-shaman?

Christoph Keller, Cloudbuster project Morocco, 2009, video (excerpts)

between documentary and fiction, Simon Faithfull explores territories far and near, in a process resembling a quest of the mysteries of the universe. For Ice Blink , the artist accompanied a scientific expedition in Antarctica. Of his adventure, he returned movies, including 44 ' (1 min of film per day for 44 days at sea), photos, sketches on Palm Pilot .... The result is a set of "Notes from nowhere" telling a possible trip to unexplored territories. Less exotic, the pioneer artist in 2008 organized an expedition to England, during which he followed, using a GPS, the Greenwich meridian line (video below).

Whether burlesque, methodical, offset or romantic, these trips is to construct a new attitude to things, to inhabit its environment, to reactivate the fascination. "Walking is the preferred way to listen to the world pay attention, because moving is also a way to get to hear. "*

Frédérique Foulla

* Thierry Davila. Walking, create. Relocations, strolls, drifts in the art of the end twentieth century . p.16.

Simon Faithfull, 0 ° 00 Navigation , 2008, video (excerpts)

picture from the video 44 ' , 2005.
Photos and video clips, courtesy of the artist.

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Exhibition PIERRE VACHIN in Vesoul

VESOUL until April 4

Chapel City Hall - 58 rue Paul Morel
Free admission, from 14h to 18h daily except Tuesdays and holidays
03 84 97 16 60
http://www.vesoul.fr/


Pierre Vachin lives around Narbonne. This man of the south currently has paintings in the chapel of the Hôtel de Ville de Vesoul.
Lyrical Abstraction. Yes, okay, but behind this generic term, we must, as regards the painting of Peter Vachin, identify and understand the fragility, uniqueness and intimacy of what is happening on the web, because here is a part of himself that the artist we book.
child he was fascinated by archeology, excavations, the rawness of rock paintings, the art of peoples elsewhere too. Today, the artist is still a part of his inspiration in the primitive appearance may suggest that these small pieces of wood mixed with earth and leaves that cover the paths they follow. Pebbles, bark, gravel, dust ... "You can make poetry with anything" he says.
On the web, Accident ruptures, spots in traces, impressions are multiple paths are many. We find outbreaks fossilistiques, symbols, archaic kinds of writings, some traces of vegetation ... The colors mastered surprise us yet again. Some violence, unconscious, sensitive, tormented ... Painting as a way to bridge a gap or, it seems rather to seek a "more" for Pierre Vachin, painting is simply "a way to exist."

Frédérique Foulla